Friday, 3 August 2007

The Grand Opening of Dean Smith Art





Studio 50,
Barleylands Craft Village,
Billericay.
The opening times are:
10am - 5pm Tuesday - Sunday (except Monday).

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Monday, 11 June 2007

Thumbs up to Prontaprint

Original Illustration (Acrylic's)


Print from Prontaprint

I recently had 20 prints done of some of my Astrology Illustration's, I'm not giving away how much I paid but it was a very sensible price thankyou very much. I highly recommend Prontaprint as not only is it cheap the results are fantastic just like the original.
Unfortunately by scanning the pictures they will lose some quality but you will still see that the original and the print are nearly identical.
You'll find Prontaprint at 11 Runwell Road, Wickford.
http://www.city-visitor.com/wickford/prontaprintwickford/index.html

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Sunday, 10 June 2007

Following the Leigh Art Trail

JOY - Lisa Hawker
(See her at St. Clement's Church)

I was asked by Sharon to join her on the Leigh Art Trail this Sunday, it was just what I wanted to do so I happily agreed to go. Starting at no.2 the Explorer Scout Hut we were challenged by the BA Fine Arts students of South East Essex College, art that made you think - look out for the life cycle of a popcorn - great fun! Then on to the organiser of the events studio that he shares with Sheila Appleton 'Richard Baxter'. We carried on, crossing back over the footbridge and up a steep hill until we came out at St. Clements Church, then headed for the cluster of art extravaganza's at Rectory Grove, Elm Rd and back along the Broadway. The hi-lights here were no. 7 Frann's studio, I love her feminine fluid art work and no. 13 Simon Feather at '.......went to market delicatessen.' Both Sharon and myself said there was something very likable about his simple bold approach.

We carried on and after a quick bite to eat and a coffee at Terracotta which is no. 22, we popped next door and I bumped into Jane Woollatt who I had met at Andrea Mason's picnic, we had a good chat and she showed me hers and Chris Ruston's ink painting (fascinating as I'm playing around with my Hobbycraft set at the moment) they were using Indian inks and Chinese inks though - very fascinating - the resulting work was very modernistic abstract. We then went on to one of Sharon's favourite places no.18 'The Ian E Smith Studio', Sharon has already got four of his pictures and is holding on till he makes the fifth one she desires. I loved his work, to me his work expressed 'love for life' and exuberance. His pictures were big, bold and gorgeous. He had one particular piece that had several re-orders which was of a boat with a net of fish - he'd just done it in such an imaginative funky way.


Apparently we had missed the alley cut through of 15. 16. and 17. I'm glad we discovered this as in no 15. 'Castle Dawson Design' there was a bit of a club atmosphere, there was a guy at the decks, playing some pretty rateable music and a lady was handing out cocktails and mocktails, I was happy! We mooched around drawling over the jewellery for a bit then moved on. The next hi-light was meeting Cherry (college course co-coordinator) at no 24. St. Clements Church, then being absolutely spellbound by Lisa Hawkers ceramics and mosaics , see http://www.lisahawker.com/ absolutely awesome! No 28. 'Faux Workshop & Gallery' was lovely, I particularly loved a mirror with faux stained glass around it, I think it was called 'Fish'. I didn't want to pay the price though. But was intrigued to see they did a great range of workshops, I am definitely going to go on the 'Paint Effect Classes' perfect! http://www.faux-workshop-gallery.co.uk/

I loved looking in Cafe Rhubarb, and will admit the life drawings were the the most attractive I've ever seen, this was a lovely little restaurant with a beautiful patio back garden - I would go as far as saying the whole Cafe Rhubarb experience was 'sexy.'
I would say that I really like Jonathan Trim as an artist who was featured at no. 29 'Moylans Kitchens.' I've admired his work when I've looked at the Leigh Art Trail website. But my final peak experience was at the 'Karslake Studios' no.34 Paul Karslake is a fantastic realistic artist, he has had paintings hung in Gordon Ramsey's Restaurant, he does famous faces amongst other sort of work, this includes Humphrey Bogart, Jack Nicholson and David Beckham - I will say I was knocked out by his talent! http://www.paulkarslake.co.uk/
I plan to go back again, but next time driving up to No. 1 as I couldn't be bothered to walk it this time. This trail goes on to next Saturday, I seriously suggest you waste no time in getting down there, you won't be disappointed! http://www.leigharttrail.co.uk/

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Wednesday, 30 May 2007

South Essex Open Art Exhibition




You are invited to submit 2d, 3d or other art work on the occasion of the 3rd annual exhibition organised by START. Please click on the forms above and you can print them off to enter.
Please note that you may have to adjust margins on print preview to get the whole document, but on occassions failing this you may need to jot down the missing sentence at the end.
If you are passing either the 'New Art' gallery or 'Dean Smith Art' at the Barleylands Craft Village you can pick up these forms there.

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Monday, 28 May 2007

Art Magic

I was so impressed with this article from the Evening Echo that I had to put it in here.
I think that it is so great that special needs children draw so much from their sensory landscape and that we as artists can add enrichment to these childrens lives. Well done Mr. Terry Orchard.

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Friday, 25 May 2007

START

As a group we meet up once a week on a Wednesday at Dean Smith's Art Workshop, Studio 51, Barleylands (Art &) Craft Village. We meet from 7.30 - 9.00 and are lucky to have established artist Dean Smith giving instruction when needed.
If you want direction and work set you can have this or if you simply want to get on with your own art you can do this too.
As well as meeting up weekly START has had an annual exhibition for many years now. This year we will be exhibiting in Barleylands Education Centre which is a very large and spotlessly clean and new area, we feel very proud to be able to exhibit there.
I can boast of a high calibre of members including Dean himself, Aden Hynes (Sculptor who did the Bafta Award amongst many other fantastic sculptures), Deborah Joys (well known for her textural paintings and her invitation for people to feel and touch them) and Mike Harrington (formidable artist) who has now moved on to leafy Surrey but is still a member.
We often have social occasions such as quiz nights and will soon be organising outside expeditions so that keen artists can do landscape painting with the company of like-minded people.
Last year the B.A.T Gallery was manned by a majority of START members and we count the whole venture as a success that we shared with the indefatigable Peter Patterson.
Previously START has done a lot of community art, and has brought it to the Basildon Festival and Fun in the Park, one year we organised an Art Festival in Basildon Town in front of Brook House, we had lots of stands, pavement art, local pop groups, dancing, plus an exhibition it was a great success.
A few years ago Mike Harrington was looking to start up something that youngsters might like to join in and Jack Norris the youngest member yet at START (who joined when he was twelve) mentioned about the animation he and his friend were heavily involved in as a hobby, so this initiated a new off-shoot of START the animation group which was later named Loco Motion.
Loco Motion is going strong and getting quite independent and branching into all sorts of areas including DVD horrer soap opera's such as'Dead Enders.'
If your interested in becoming a member please either ring Dean Smith on: 01268 522973 or come down to see him at his studio: Dean Smith Art, Studio 50 at Barleylands Craft Village .

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Monday, 21 May 2007

DEADENDERS


Click to enlarge

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Wednesday, 16 May 2007

Dean Smith Art Gallery













































Dean Smith Art Gallery
is now open

Studio 50,
Barleylands Craft Village,
Billericay.
The opening times are:

10am - 5pm Tuesday - Sunday (except Monday).
Also sharing the studio is fellow Pop Artist Ben Murdoch

07730 611994 deansmithart@hotmail.co.uk www.deansmithart.com

The Icons that Dean has painted are: Marilyn Monroe, Michael Caine, Johnny Cash, James Brown, Elvis, The Beatles, Oasis, Sex Pistols, Pulp Fiction, James Bond, The Killers, Scarface, Fight Club, Bobby Moore, Muhammad Ali, Godfather, Kasabian, The Rolling Stones, George Best, Keith Moon. Who's your Icon?
Commissions, Pop Art Portraits, Limited Edition Prints, Cards, Badges and many many more.

To find out a bit more on the mysterious Dean have a look at my blog archives in the months of December (under 2006) and February where I have two interviews with him.

Also see: http://www.barleylands.co.uk/craft_village.htm

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Monday, 7 May 2007

A Word In Your Shell-like - Peter Patterson has got a 'New Art' Gallery

Click to enlarge
























Peter Patterson is opening his own gallery 'New Art' at Barleylands Craft Village this Wednesday. That's Wednesday 9th May.
He is very well known for running the B.A.T Gallery at the Eastgate in Basildon so successfully last year.
The Craft Studio's are open every day except Monday (apart from Bank Holidays).
At the back of his gallery, which is one of the new studios incidentally, is a Framer's - that's handy!

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Saturday, 5 May 2007

Passing on some interesting information

How Creativity Keeps Us Ageless
Four tips to unleash your creative energies and counter the effects of aging in the process.
By Stephen Ruppenthal

Have you ever thought that giving yourself the time to do that sketch or write that short story might help you stay younger? Studies have shown there is indeed a vital relationship between creative expression and healthy aging. When we draw and paint, we delve deep into the springs of vitality, increasing our sense of self-worth, determination, and achievement. But the University of Kentucky’s Prof. David Snowdon, who tracked the health of 678 Catholic nuns over 70 in his important Alzheimer’s study, showed us much more: he was once given a ceramic sculpture by one of the nuns, Sister Esther Boor, who had taken up ceramics at age 97. When asked by Snowdon to join his project, Sister Esther had originally told him, “I’m too busy with my art to take part in a study of old people." She was not aware of growing older, and she passed away at 107.All of us know that, when deep in the process creating a short story, a painting, a new business, or an invention, time seems to stand still. Creating something totally new freshens our whole system and frees us from limitations that otherwise can hold us down and drain us of life. Here are four ways you can counter the effects of aging by unleashing your creative energies, testing your own powers of making new things, and breaking through to new solutions:

1. Just start, don’t think. If you feel too emotionally drained or just plain blocked, get a pad of paper and pour out all the nagging resentments, fears, and worries that block you from starting an important project. Acknowledging feelings can enable us to move past them and really get started. This, of course, also means dedicating ample time and space for the creative work. A friend of mine had trouble realizing his gifts until he freed enough time to tinker in his garage. Now he exhibits dozens of motor scooters, cars, and even a bread truck, all artistically converted to brightly painted electric-powered vehicles. I ask him how old he is and he says it’s tough to keep track.
2. Try making your own environment a work of art. And while you’re at it, have some fun! We all start with a blank slate in our living space. Whether you reorganize your office, redecorate your home, enrich your relationships, or beautify your yard, let these efforts mirror the best and most beautiful in you. My wife and I purchased five very barren acres some years back and have since spent every spare minute we have planting flowering herbs, luscious berries, stately fruit trees, and hardy landscaping bushes. In comparatively little time, the parched landscape has given way to lush green views in all directions. And inside, a neglected, ramshackle farmhouse now boasts rich French country colors on all its walls. Don’t be afraid to test your creativity in playful ways, even if you muff it and have to start over. The playful energy all of us have not far beneath the surface helps us feel young and free, regardless of our body’s age.
3. Follow your highest hopes and dreams. Strangely enough, researchers who investigate longevity are finding old age can be a peak period for more, not less, creativity. "We always think of winding down in old age," says Judith Salerno, Britain’s deputy director for the National Institute on Aging. "We need to begin thinking about late life as an opportunity for people to explore." So in the years that used to be considered old age and dotage, now we see experience as an incalculably rich resource. Don’t settle for a shut-down life where the resources of youth are just vain memories; tap your rich experience, whether through art, invention, social service, or transformation of the environment. A higher number of age will only mean you can realize your highest potential and develop talents you never knew you possessed.
4. Dedicate time each day to creative projects, and have faith in yourself. Whether your gift is to be a writer, painter, actor, or a healer of personal relationships, you need to devote time to it every day. “But I can’t do it,” people say, “it’s too big!” So just try breaking your larger projects into smaller, more manageable pieces. As St. Francis says, “Small beginnings, greater ends.” Don’t try to write the whole novel or you will clam up and get scared. Maybe today you will just write one paragraph or carve one lock of hair onto your sculpture, but that will unlock your greater resources. Over time, something will just lift you up. A power coming from deep within you will fill in the blanks, making the universe—and yourself—richer, more beautiful, and full of the wealth of creative life that has no age.

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Saturday, 21 April 2007

Loco Motion


Did you know that you had a local animation group in Basildon? Well you have!

Take a look at this to see what your kids might consider a really interesting hobby. This is a family workshop that Jack Norris held with Mike Gunn:-
http://www.youtube.com/watch?v=JbYamEI6eII

Take a look at their website to find out more about them:-
http://www.loco-motion.org.uk/

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The Quantocks @ Night Dressed By Milika Muritu


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Tuesday, 17 April 2007

Michael Condron











L Hello Michael, if you hadn’t of gone down the ‘Fine Art - sculpture’ route what would you have done?
M Who knows? When choosing A-level subjects, I half had in mind being an architect as I enjoy the technical side of making things too. Whenever choices came in life, I always followed what I enjoyed doing best, which was making things. Fine art offered the most individual scope for creativity.

L When did you get your first artistic stirrings? What first made an impression on you? What has been your strongest influence?
M As early as I can remember, I've always loved drawing, which started off as monsters and spaceships. I was addicted to Meccano as a child, and loved dismantling things to see how they work. At school I first started making mechanical sculptures, but it was on my foundation course (a 2 year BTEC at Suffolk College) that my creativity was really stoked. Staff, students and facilities were inspiring, and that two year period has made the biggest impression on me artistically. Or maybe it was doing my first public art commission.


M Strong influences include: The Science Museum, scrapyards, Len Lye, Rebecca Horn, Jean Tinguely, Antony Gormley. I also really like Thomas Heatherwick's work.

L So, do you remember your first sculpture you did?
M - The first sculpture I can properly remember was a pirate puppet at primary school - kind of a voodoo doll as it had my own hair.

L Tell me more about your work
M I mainly work to commission, making public artworks. Usually chrome polished stainless steel constructions, though other techniques I use are concrete, video, mosaic, kiln formed glass and laser cut Perspex. I've started to include interactive kinetic elements to my public artworks, which is a real challenge. Through these commissions I've gotten more involved with participatory art projects in schools and communities.

L Tell me about some of your community work - do you get a lot out of this - and does the community?
M The community work tends to be attached to public art commissions - my focus is to make good connections between the artwork and its environment, and working with local site users is a great approach. The community work contributes to the creative process and helps awareness of the project locally. The more people that understand what's going on, the better the sense of ownership when the public artwork is installed. I also do quite a lot of schools projects, making permanent or temporary artworks. These allow me to experiment with new techniques on a smaller scale, which I can later introduce into my public art practice. The greatest thing about participatory work is the positive feedback.

L What are the best/worst/funniest/silliest moments of your career?
M The best moments are: winning a commission; when the work is really steaming on and looking good; unveiling a commission; the holiday after a big commission
Worst moment: My degree show piece was an installation of home-made steam powered sculptures. It blew up during its assessment."
Funniest: This sounds like a Family Circle article, but it's The Things Kids Say. During a school workshop an eight year-old asked me if I had a girlfriend. I said yes, and a devastated look crossed his face as he asked "But what about your Mum?"
Silliest: I don't know. A lot of the silly things always seem like a good idea at the time. I once very seriously put in a completely nuts kinetic art proposal for a £100K commission. When I didn't get the job, I was outraged of course, but slowly a feeling of relief crept in as I started to realise how impossible the whole thing would have been to complete within budget. However - the attitude was right, and I try to carry that forward in all my proposals.

L If you could give a tip to an artist who is working their way through College or University what would it be?
M Make lots of things. Be ambitious. The best results I have had are from biting off more than I can chew. Make good use of the resources available to you: people, spaces, materials, facilities. There're loads of opportunities after college and the freedom is delightful/daunting.

L And Finally, any other advice?
M Whenever possible, save up a pot of cash and go travelling.

L Great advice!

http://www.mcondron.co.uk/

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Monday, 16 April 2007

Investigating Other Art U Need Projects


























Yesterday we went on the bus trip organised by Kate Clayton, from Commissions East.
Myself, Neil and Greg, Jim, Jenny, Nick and Fran were met by Kate and a nice family from Southend.
It was a bit of a mystery tour - all we knew was that we were going to Canvey and Southend to see the Art U Need projects there, after that I didn't know much else. We were greeted by two people with big personalities in Canvey, one was a lady who had lived on the island all her life and she was going to be our tour guide, as it happens she was very informative and also knew the names of every plant there was on Canvey. They certainly found a good woman here - she even let us in her house and told some of her own history. Her late husband was an artist and she had put out all his paintings - which was very interesting to us artists.
The other person was the Manager for Dr. Feelgood, yes another big personality. He told us of his boyhood in Canvey - the time when boys really lived. At the back of his house was the estuary, him and his friends (over looked by his mum on the sea wall) would go out there and build sand banks, then watch the tide knock it down. They would play pirates and even had a little rowing boat which they would row over to Hadleigh Castle. As they got older they got bolder and put an engine on the back of the boat and started jettying round to Southend Pier and probably as far as they could go, real 'Swallow and Amazon' style.
By the time we got to having our picnic we were really hungry and thirsty. Kate put on a wonderful spread - very Mama Italian 'al' fresco.' We had continental meats and other luxuries.Strawberries, sparkly wine - or was it Champagne Kate? Sorry - wow - if it was.
We sat down and had the most enjoyable time, having some very interesting conversations, all feeling very relaxed. This was definitely a hi-light of the day.We then made our way to Southed, some of us slept - after a long walk, hot sunshine, a picnic rounded off nicely with some fizzy wine - can you blame us!
So when we reached Southend we were probably not up to doing much, we had a look in the Camera-Obscura provided by Focal Point. This was amazing! Then after this we went inside the Quantock flats, from the outside you could see the 'Streams' in fact this refers to the long twisting stream of perspex that was in every drying room in all four blocks of flats - from the very top room to the bottom.You can see the Quantock flats in all its glory at night time, if you get to Southend, driving down Victoria Avenue with the station on your left hand side, you get to the roundabout and turn a sharp left. This will take you down Queensway. Just after Chichester Road the first street on your right you will see The Quantocks - You must go there when it gets dark and when the perspex is illuminated by the lights in the drying rooms. We were brought into the flat and could appreciate the perspex because of the daylight shining through it.

Thought:- These projects were all about an Outdoor Revolution - well I must say we felt like we were brought back in time, we were Victorian explorers investigating Canvey and then having a glorius picnic - we all thoroughly enjoyed it. To get specific we had exercise, communication and got off our armchairs and looked at a familiar landscape with new eyes. L.J. Horner

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Thursday, 29 March 2007

Basildon's Own Art Gallery

I, along with around 70 other people, attended a meeting at the Towngate Theatre last night to discuss the conversion of the Gloucester Park swimming pool into an arts space for Basildon and south Essex- The Essex Gallery Basildon. I want to see a proper art gallery in Basildon, this would be a bonus for our town, but I do understand other points of view expressed, on which I still have an open mind.

Mike Harrington and Vin Harrop have a long history of pressing for a gallery in south Essex. There have been talks in the past with Chelmsford, Southend and Brentwood, but these have come to nothing. It seems to me that when it comes to making any financial investment in the arts in Essex, in particular south Essex, we are seriously lagging behind other parts of the country. A renowned local historian said that if the Gloucester Park building goes the only remaining building to give the people of Basildon any real sense of their history would be Brooke House, now a listed building. Because, 50 years ago, when Basildon Development Corporation started work on the new town they demolished years of history in one fowl swoop. Ken Porter also said that when he visits schools to talk about the history of Basildon, the Plotlanders’ etc the children are enthralled with an interest in the subject.

The Chairman of Basildon Sports Council was all for keeping the swimming pool for other sports uses. I believe that the future decommissioning of the Gloucester Park swimming pool offers the people of Basildon a chance for their own art gallery. It would cost much less to convert an existing building than to create a new build, and we would be saving a valuable piece of Basildon’s heritage at the same time.

Not forgetting the plan for part of the gallery to be a museum, apparently we are gathering a large collection of historic relics, which need housing too.

With the Olympics on the horizon sport has a real chance to gain further prestige for the town.

I agree, to build a new sporting facility with an Olympic size pool is a brilliant investment, but why not build it further into the park and let us keep our history, not demolish it for a 5 star hotel. Basildon people have a huge collection of paintings and other arts works in store, kept in trust for them by The Basildon Arts Trust. Why not let these be seen in all their glory in a stunning art gallery.

Let us imagine for a moment a grand opening of our own beautiful art gallery in all its splendour, reflected in the waters of the duck pond below, with fireworks shooting upwards in celebration. What a wonderful occasion this would be for Basildon and for the people of Basildon. For once we would be able to walk tall, to show pride in where we live, and no more feel inferior to anyone. That’s what the arts and culture can - and should do, for us.


(I sent this to the Evening Echo - Lisa)

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Friday, 23 March 2007

Calling All Local Artists

ArtCafé


Every First Sunday artists of the area are invited to meet at noon at the Northlands Park Cafe. Meet Sylak, myself and Charlie, already word is getting round and more people are planning to come to the meetings. We plan to chat, show each other our work, go out and do some art together, we have talked about organising exhibitions together too. I will keep you updated on my blog www.artcafeinc.blogspot.com

Community Art @ The ArtCafé
I plan to carry on with community art down at Northlands Park this will be covered on http://artcafeinc.blogspot.com/

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Wednesday, 21 March 2007

The Heritage Trail




The Heritage Trail Project gained further credibility yesterday when Vin Harrop received £2,000 from Basildon Councillor, Terri Sargent. (right)
The photograph above is of me - (red) Vin (white) and Liz Grant (blue).
How patriotic, thus adding a further dimension to British Heritage. This was taken at the site of the old, moated, and now demolished,Basildon (Barstable) Hall. Where the remains of the moat are still visible.
Already Bob Fisher and Francis Clamp have been visiting five schools preparing them for the Heritage Trail, which should be up and running later on this year.
N.B. I would love to hear from you if you have any photographs of Basildon town centre from the past, we're looking at around the 1960's and before. If you have contact me.

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Tuesday, 20 March 2007

Letter to the Newspapers

We are gathering signatures of artists (not necessarily fine artists but anyone involved in anything creative) to send to the newspapers. We want to show that there is a strong body of opinion within the artistic community of Basildon, that deplores the council’s decision to discontinue with, in our view, the essential post of Arts Development Officer. Bearing in mind the good work done by Tim Balogun and Dominic Wallis before him, in stimulating the artistic community into action on many community projects that have gone on to receive both regional and national recognition. It is hard to think of how this can continue without some one dedicated to do this work. Just when there is talk of regenerating and invigorating the whole community our town will be the poorer without someone to ensure that culture drives the regeneration process.
We call upon Basildon Council not to let our town become the poor cultural relation in Essex and to rethink their strategy for the arts, to one that shows a much greater commitment towards culture in the community.
So if your living in the Basildon area, this includes Wickford and Billericay, please send your signature and perhaps a small statement to back this up to Susan Randle at:
susanrandle@btinternet.com

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Petition to No. 10

We the undersigned petition the Prime Minister to help us create a Contemporary Essex Art Gallery for Basildon, Essex. The good people of Basildon, Essex have for far too long been castigated in the media for our lack of culture.The town was taken by surprise last year when over 40,000 people attended an exhibition of local art held over a six month period. Having reaffirmed its love of art, Basildon now wants a contemporary art gallery and seeks your support in this. We the undersigned support the people of Basildon in their quest for a Contemporary Art Gallery.Furthermore, we hope that they will be successful in persuading their elected representatives to save the Swimming Pool building for this purpose. http://petitions.pm.gov.uk/BASILDONGALLERY/

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Monday, 19 March 2007

Hippy Crowd Spotted Hugging Trees In Northlands Park

Strange goings on were spotted down at Northlands Park on Sunday 11th March. A few witnesses said that the peculiar scenes happened around Noon and thereafter, that a crowd had gathered in wonderment at the scenario.

Well known arts lover Vin Harrop and MP Angela Smith were amongst the 'hippy' crowd who were hugging trees. The ring leader was said to be visiting artist Andrea Mason. Plenty of children joined in, and one person in the know said that 'a man rather high up in Commissions East, and Angela Smiths husband' were amongst these tree hugging hippies. Apparently it's all down to 'Art U Need Needs U' too much fun was being had over the last few months with 'Poetry Slams' and 'Parkour,' 'Guerilla Gigs' and 'Painting on the Green.' It must have brought on a very liberal atmosphere for things to have gone this far!
Whatever next!
Well apparently on Mothering Sunday a lady was spotted running around giving away free art! And leaving art in all sorts of places.
Next week on Sunday 25th March there is going to be a 'Mass Picnic,' and everyone has been invited, just turn up at noon with your picnic at Northlands Park - and erm 'have fun!'
That's what it's all about folks!










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Tuesday, 6 March 2007

BOB & ROBERTA SMITH RADIO SHOW


BOB & ROBERTA SMITH
RADIO SHOW
MAKE YOUR
OWN DAMN
MUSIC

EVERY TUESDAY EVENING at 9:00pm
on RESONANCE FM 104.4

You can also listen online at: www.resonancefm.com
Londons First Radio Art Station
*time differences will apply, East Coast USA 4:00pm, West
Coast USA 1:00pm, Continent 10:00pm

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The Art Ministry


REGISTERED CHARITY 1108227

The Art Ministry was founded in 1992 by Reverend Angela Cotton who is still the driving force

Reverend Angela commenced her good work on the belief that art and crafts are good for all people and are a means of bringing about equality between widely differing groups. The work began in 1992 and has expanded and developed almost continuously since then.

The main aim is to provide facilities in Arts and Crafts to all but especially to children, Teenagers and those disabled or disadvantaged. We are based in a well equipped, purpose built Art Room set in gardens, the one at the rear designed for use by the Disabled and Mentally Ill. We are accepted and supported by the local council (but not financially!) and people are referred to by the Social Services ,hospital departments. . and local charities

· The Art Ministry has worked with homeless people
· Children with Learning Difficulties
· The bereaved and the dying

* The Art Ministry exists to provide facilities in Arts and Crafts to all

* But especially to disabled or disadvantaged, children,
teenagers and those in distress

* Based in a well equipped, purpose built Art Room set in gardens,
the one at the rear a sensory garden designed
for use by the disabled and mentally ill

* Supported by the local council (but not financially!)

* People are referred by the Social Services
hospital departments and local charities

* The Art Ministry has worked with homeless people
children with learning difficulties ,the bereaved and the dying

* The most novel thing about The Art Ministry
is that all these groups exhibit and meet together
and find unity and common ground

* Their common language is art

* The Art Ministry runs projects in schools
and produces large scale work for the community

* To bring fulfillment, hope and self esteem and great value

* The Art Ministry also provides social interaction
exhibitions, comfort and meals

* Classes for the visually and physically disabled
adults and children with learning difficulties,

* People with mental health problems

* Commercial classes in painting and fabric crafts
To find out more go to: www.theartministry.org.uk

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Monday, 5 March 2007

Dear Debbie (2)

Dear Debbie,

I've hit a spot of artists block, where do you draw inspiration from?

Best wishes

Lisa

www.myspace.com/lisasartcafe

Dear Lisa,

Well, we all will hit a block now and then so there's no point getting too worked up over it.

In fact being bored and uninspired is good now and then, because from boredom springs creativity.

When feeling totally uninspired, then my advice is to leave your work completely and do something different whilst you feel like this. Also try not to dwell on the fact that you have hit a wall, be open and receptive to your feelings and surroundings. You may find for example: that you are bored, or there may be other lifestyle factors affecting you.

When you really listen to yourself, you will find the answers come to you.

Finally, go look for things to inspire you, from books, from nature, from life. Inspiration comes from everywhere but most importantly it comes from you.

Debbie

www.deborahjoys.com

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Sunday, 4 March 2007

Deans Golden Pig hits the headlines


This was on the front page of the 'Basildon and Wickford Recorder' on Sunday March 2nd.
Deans pig, who I think he should name (well Dean?) was part of the fun at the Eastgate when they celebrated the Chinese New Year, an event that was very popular.
Gordon Lee-Norton is the young guy who is adding his signature to the Golden Pig.

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